The rich, burnished, folk-rooted sound of Carly Ritter’s self-titled debut album makes it seem that this music was unearthed from a time capsule buried during the late ’60s, with its distinct echoes of Jackie DeShannon, Buffy Sainte-Marie, the Stone Poneys and, on one especially whimsical track, the Nancy Sinatra/Lee Hazelwood partnership.
With refreshing modesty and characteristic genuineness, Carly credits the extended family she made the record with for the sense of authenticity that permeates every note: the husband and wife producer team of Joachim Cooder (drums, piano) and Juliette Commagere (keys, electric guitar, backing vocals), Juliette’s brother, Robert Francis (bass, electric guitar, vocals) and Joachim’s father, living legend Ry Cooder (guitars), who filled out the marvelously skilled studio band. Martin Pradler, who works extensively with both the Cooders, Commagere and Francis, engineered, mixed and played various instruments on the album.
“Joachim and Juliette have such a feel for mid-’60s and ’70s music, and they got this amazing sound,” says Carly. “And, of course, Ry Cooder and Robert Francis. They all know that music so well and how to bring that feel to my songs. It was so humbling to be in a room with all of them, seeing how they work and communicate. They speak this special language. It was so much fun to be part of that.”
Carly grew up surrounded by music. Her parents’ record collection skewed toward rock & roll, and she remembers her mom singing the kids Leonard Cohen songs as lullabies as they were going to bed. But there was one genre she wasn’t exposed to as a kid—not surprisingly, her dad, the beloved actor/comedian John Ritter, had gotten his fill of country music during his own childhood; his father (and Carly's grandfather) was seminal country singer Tex Ritter. It was during her junior year in Scotland at the University of St. Andrews that Carly became obsessed with traditional idioms.
“That was a special time for me,” she says. “I was getting exposed to these old ballads, and the imagery was strong, heartbreaking, haunting and beautiful. At that point in my life it really struck a chord, and so, when I came back, I spent my last year of college in the basement of the music library scouring sheet music for all these old folk songs, spirituals, blues and country songs. As I started exploring all this music, that’s when the seed was first planted for my own songwriting, and it’s when I started to learn guitar. I already played classical piano and harp since I was little, but the guitar inspired me in a new way. About a year and a half ago, I decided that this was what I really wanted to do, so I kept writing and trying to learn as much as I could about this art form. And I couldn’t have come across kinder and more supportive people than Joachim and Juliette and their families. All of them love making music, and so they were willing to help someone just starting out.”
But it wasn’t merely a matter of generosity on the parts of her newfound musical partners. They were blown away by this neophyte’s innate feel and expressiveness, not to mention her angelic voice. It happened in the space of an afternoon.
“I sent them three songs, and they asked me to bring … Read More